Ernesto Molinari
Biography
Swiss clarinettist Ernesto Molinari performs concerts around the world and is equally at ease in classical, romantic and contemporary music, as he is in jazz and improvisation. Born in Lugano in 1956, he studied clarinet at the Musik-Akademie Basel and bass clarinet at the Conservatorium van Amsterdam. He is an accomplished soloist on each of the instruments in the clarinet family. Numerous compositions have been composed especially for him and his fearless approach to playing has inspired a new generation of clarinet players. Presently professor at the Bern University of the Arts (HKB), Ernesto Molinari has also been teaching at the Internationalen Ferienkursen für Neue Musik in Darmstadt since 2000 as well as the Impuls Internationale Ensemble und Komponistenakademie für zeitgenössische Musik in Graz since 1999. From 1994 to 2005, he was clarinettist in the Viennese Soloist Ensemble Klangforum Wien. He has performed as a soloist and chamber musician in renowned music festivals such as the Festival d’Automne in Paris, the Lucerne Festival and the Huddersfield Contemporary Music Festival. His many recordings include Schoenberg’s Pierrot lunaire, Brian Ferneyhough’s La Chute d’Icare, Emmanuel Nunes’ Machina mundi and Michael Jarrell’s Essams-Cribles.
Events
Jaehyuck Choi (22 y.o., Korea)
Nocturne III for clarinet et orchestra1
Yair Klartag (31 y.o., Israel)
Bocca Chiusa for clarinet et orchestra2
Hankyeol Yoon (23 y.o., Korea)
Prank for clarinet et orchestra3
SOLOISTS :
Jérôme Comte, clarinet1
Fabio Di Càsola, clarinet, 1st Prize 19902
Ernesto Molinari, clarinet3
L’Orchestre de Chambre de Genève
Orchestre de la HEM-Genève
Pierre Bleuse, conducting
Direct broadcast on Espace 2 - Live video streaming on our website, Facebook & YouTube
With the support of Fondation Reine Marie José
NOTE ON THE PROGRAMME:
By placing contemporary creation at the heart of its artistic projects, the Geneva Competition wants to act as both a pioneer and a militant. In the same way as we try to refresh musical interpretation by promoting young talent from all over the world, it is vital that the music itself regenerates and stays up-to-date by giving creativity a deserving place. Since 2013, our Composition Prize has shown that it is possible to consider composition as a discipline in its own right, and to view its winners as virtuosos and its finals as events for the general public. We continue to believe that this is worthwhile and are now broadening the competition to include a work for solo clarinet and orchestra.