Fabio Di Càsola
Biography
A native of Lugano, in Switzerland, Fabio Di Càsola won 1st Prize at the “Concours International d’Exécution Musicale de Genève” in 1990 at 23 years old. Since then, he has performed across the world. He is regularly invited by prestigious festivals and is winner of the Grand Prix Patek Philippe, the “Prix Suisse” for Contemporary Music and the Stresa International Competition for Contemporary Music. In 1998, he was elected “Swiss musician of the year” by the jury and the audience. As soloist, he collaborates with orchestras such as the Russian National Orchestra, the Prague Chamber Orchestra, the Orchestre de la Suisse Romande, the Orchestra della Svizzera Italiana, the Lucerne Festival Strings and the Zurich Camerata. Fabio Di Càsola is professor of clarinet and chamber music at the Zurich University of the Arts and is regularly invited by international music competitions to serve as jury member. He is also Artistic Director of the Klang Festival, founded in 2006. Following one of his concerts at the Zurich Tonhalle, Sony offered to publish his recordings. Two albums with chamber music, one with Mozart’s clarinet concerto and one with Weber’s complete works for clarinet and orchestra have already been released and have received very positive reviews.
Events

Jaehyuck Choi (22 y.o., Korea)
Nocturne III for clarinet et orchestra1
Yair Klartag (31 y.o., Israel)
Bocca Chiusa for clarinet et orchestra2
Hankyeol Yoon (23 y.o., Korea)
Prank for clarinet et orchestra3
SOLOISTS :
Jérôme Comte, clarinet1
Fabio Di Càsola, clarinet, 1st Prize 19902
Ernesto Molinari, clarinet3
L’Orchestre de Chambre de Genève
Orchestre de la HEM-Genève
Pierre Bleuse, conducting
Direct broadcast on Espace 2 - Live video streaming on our website, Facebook & YouTube
With the support of Fondation Reine Marie José
NOTE ON THE PROGRAMME:
By placing contemporary creation at the heart of its artistic projects, the Geneva Competition wants to act as both a pioneer and a militant. In the same way as we try to refresh musical interpretation by promoting young talent from all over the world, it is vital that the music itself regenerates and stays up-to-date by giving creativity a deserving place. Since 2013, our Composition Prize has shown that it is possible to consider composition as a discipline in its own right, and to view its winners as virtuosos and its finals as events for the general public. We continue to believe that this is worthwhile and are now broadening the competition to include a work for solo clarinet and orchestra.