Events | Concours de Genève

Semi-Final 1 - Opera Recital

Tuesday 15 October 2024

19:00, Salle Franz Liszt, Conservatoire

Programme

VOICE COMPETITION 2024
SEMI-FINAL PART 1 - OPERA RECITAL

 

Barbara Skora

  • G. F. Handel: Sta nell‘ircana (Alcina)
  • G. C. Menotti: Oh, those faces (The Consul)
  • G. Donizetti: Il segreto per esser felici (Lucrezia Borgia)
  • G. Rossini: Cruda sorte (L’Italiana in Algeri)
  • J. Massenet: Va! Laisse couler mes larmes (Wether)
  • W. A. Mozart: Parto parto (La Clemenza di Tito)

 

Franciana Nogues

  • J. Massenet: Frère voyez, du gai soleil (Werther)
  • G. Rossini: Vorrei spiegarvi il giubilo (La Cambiale di Matrimonio)
  • G. Meyerbeer: Robert toi que j’aime (Robert le Diable)
  • C. H. Graun: Tra le procelle assorto (Cleopatra e Cesare)
  • G. Roig: Cecilia Valdes (Cecilia Valdes)

 

Jaeeun Shin

  • I. Stravinsky: No word from Tom (The Rake's Progress)
  • W. A. Mozart: Ach, ich fühl's (Die Zauberflöte)
  • A. Thomas: À vos jeux, mes amis... (Hamlet)
  • M. Ravel : Arrière ! Je réchauffe les bons (L’enfant et les sortilèges
  • J. Giménez: Me llaman la primorosa (El Barbero de Sevilla)

 

Chelsea Marilyn Zurflüh

  • G. F. Handel: Da tempeste il legno infranto (Giulio Cesare in Egitto)
  • W. A. Mozart: Ach, ich fühls (Die Zauberflöte)
  • C. Gounod: Je veux vivre (Roméo et Juliette)
  • J. Strauss: Mein Herr Marquis (Die Fledermaus)
  • J. Haydn: Raggion nell'alma siede (Il Mondo della Luna)

 

After an initial online recital, the jury selected 8 young singers from 31 candidates to go on to the semi-final. The semi-finalists must present a three-part semi-final at the Conservatoire de Genève: an Opera Recital, a Lieder/Song Recital and the presentation of an Artistic Project.

For the semi-final Opera Recital, the eight semi-finalists have to perform 4 to 6 opera, operetta or zarzuela arias of their choice (from 3 different periods and in 3 different languages). The performance must be constructed as a concert. Candidates are highly encouraged to include a variety of genres in their recital, which should not exceed 30 minutes including stage entrances/exits and possible pauses. All pieces must be performed by heart. Exceptions may be granted upon request.