Thomas Hoppe
Viola Guest artist
Biography
A graduate of The Juilliard School in New York, German pianist Thomas Hoppe worked for several years on the Perlman Music Programme. He is now a member of Trio Atos and Ensemble 4.1, which combines piano and wind quartet. He has performed with the Modigliani Quartet and the Shanghai Quartet, as well as with artists such as Itzhak Perlman, Vilde Frang, Antje Weithaas and Tabea Zimmermann. A guest pianist at numerous international competitions, including the Queen Elisabeth and Joseph Joachim Competitions, he has been Professor at the Folkwang University of the Arts in Essen since 2018.
Events
SESSION 1 – THURSDAY 06 NOVEMBER, 16:00
Edvard Grieg (1843–1907) (arr. T. Riebl)
Violin Sonata No. 3 in C minor, Op. 45
1. Allegro molto ed appassionato
2. Allegretto espressivo alla Romanza
3. Allegro animato
Grażyna Bacewicz (1909–1969) (arr. S. Kamasa)
4 Caprices for Viola solo
Franz Schubert (1797–1828) (arr. B. Isaacs)
Fantasy in C major, D. 934
1. Andante molto
2. Allegretto
3. Andantino
4. Allegro vivace
5. Allegretto
6. Presto
Pianist: Andrei Banciu
Paul Hindemith (1895–1963)
Sonata for solo Viola, Op. 25 No. 4
1. Sehr lebhaft. Markiert und kraftvoll
Thomas Tallis (1505–1585) (arr. K. Wojdalska)
Hear the Voice and Prayer
Rebecca Clarke (1886–1979)
Passacaglia on an Old English Tune
Grave, ma non troppo lento
Béla Bartók (1881–1945) (arr. K. Kashkashian)
Romanian Folk Dances, Sz. 56
1. Joc cu bâtă. Allegro moderato
2. Brâul. Allegro
3. Pe loc. Andante
Grażyna Bacewicz (1909–1969) (arr. S. Kamasa)
Sonata for solo Viola, No. 2
Adagio, Allegro, Presto
Johann Sebastian Bach (1685–1750)
Violin Partita No. 2, BWV 1004
Sarabande
Paul Hindemith (1895–1963)
Sonata for solo Viola, Op. 25 No. 4
2. Sehr langsame Viertel
Johann Paul von Westhoff (1656–1705) (arr. K. Wojdalska)
Violin Sonata No. 3
Imitazione delle Campane
Grażyna Bacewicz (1909–1969) (arr. K. Wojdalska)
Polish Capriccio
Béla Bartók (1881–1945) (arr. Z. Székely)
Romanian Folk Dances, Sz. 56
4. Buciumeana. Molto moderato
5. Poarga românească. Allegro
6. Mărunțel. Allegro
Nicola Matteis (c.1650–1714) (arr. K. Wojdalska)
Ayres for Violin
Passagio rotto, Adamento veloce
Paul Hindemith (1895–1963)
Sonata for solo Viola, Op. 25 No. 4
3. Finale. Lebhafte Viertel
Pianist: Sofya Pisetsky
SESSION 2 – THURSDAY 06 NOVEMBER, 19:00
Rebecca Clarke (1886–1979)
Morpheus
Ondřej Štochl (b. 1975)
Il sogno fragile
Paul Hindemith (1895–1963)
Sonata for solo Viola, Op. 11 No. 5
4. Passacaglia (In Form und Zeitmass einer Passacaglia)
Franz Schubert (1797–1828)
“Arpeggione” Sonata, D. 821
1. Allegro moderato
2. Adagio
3. Allegretto
Pianist: Andrei Banciu
Johann Sebastian Bach (1685–1750)
Violin Partita No. 2 in D minor, BWV 1004 (transcr. in G minor)
Chaconne
Igor Stravinsky (1882–1971)
Elégie for solo viola, K072
Georges Enescu (1881–1955)
Concert Piece for Viola and Piano
Paul Hindemith (1895–1963)
Sonata for Viola and Piano (1939)
1. Breit. Mit Kraft
2. Sehr lebhaft
3. Phantasie. Sehr langsam, frei
4. Finale (mit zwei Variationen). Leicht bewegt
Pianist: Thomas Hoppe
SESSION 3 – FRIDAY, 07 NOVEMBER, 16:00
Alexandre Glazunov (1865–1936)
Elegy for Viola and Piano, Op. 44
Igor Stravinsky (1882–1971)
Elegy for solo Viola, K072
Dmitri Shostakovich (1906–1975)
Viola Sonata in C Major, Op. 147
1. Moderato
2. Allegretto
3. Adagio
Pianist: Jacopo Giovannini
Georges Enescu (1881–1955)
Concert Piece for Viola and Piano
Věra Gaigerová (1903–1952)
Suite for Viola and Piano, Op. 8
1. Allegro agitato
2. Andantino
3. Scherzo. Presto
4. Moderato
Henri Vieuxtemps (1820–1881)
Capriccio in C minor for solo Viola, Op. posth.
Lento, con molta espressione
Paul Hindemith (1895–1963)
Sonata for Viola and Piano (1939)
1. Breit. Mit Kraft
2. Sehr lebhaft
3. Phantasie. Sehr langsam, frei
4. Finale (mit zwei Variationen). Leicht bewegt
Pianist: Thomas Hoppe
SESSION 4 – FRIDAY, 07 NOVEMBER, 19:00
Johannes Brahms (1833–1897)
Sonata in F minor, Op. 120, No. 1
1. Allegro appassionato
2. Andante un poco adagio
3. Allegretto grazioso
4. Vivace
Benjamin Britten (1913–1976)
Lachrymae, Op. 48a (Reflections on a song of Dowland)
György Kurtág (b. 1926)
Signs, Games, and Messages
Zerren-reissen, Flapping Slapping
...eine Blume für Tabea...
Perpetuum Mobile
Paul Hindemith (1895–1963)
Viola Sonata, Op. 11 No. 4
1. Fantasie
2. Thema mit Variationen
3. Finale (mit Vatiationen)
Pianist: Iren Seleljo
Antonín Dvořák (1841–1904)
In Folk Tone, Op. 73, N°1
Dobrú noc, má milá
Garth Knox (b. 1956)
Viola Spaces
8. Bow Directions “Up, Down, Sideways, Round”
Henri Vieuxtemps (1820–1881)
Viola Sonata in B-flat Major, Op. 36
1. Maestoso
2. Barcarolla (Andante con moto)
3. Finale scherzando (Allegretto)
Paul Hindemith (1895–1963)
Sonata for solo Viola, Op. 25 No. 1
1. Breit Viertel
2. Sehr frisch und straff (Viertel)
3. Sehr langsam
4. Rasendes Zeitmaß. Wild. Tonschönheit ist Nebensache
5. Langsam, mit viel Ausdruck
Astor Piazzolla (1921–1992) (arr. Brett L. Allen)
Le Grand Tango
Pianist: Andrei Banciu
PROGRAMME
The eight semi-finalists must perform a 50-60 minute recital at free choice
- Repertoire may include works for solo viola and/or for viola and piano.
- Works already performed in the Online Recital may not be repeated.
NB: Candidates are encouraged to choose a varied, cohesive programme that highlights their musical personality and interpretative skills. They will need to provide a programme note (due after the preselection stage).
Open to the public
Sessions at 4PM & 7PM
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Salle Franz Liszt, Conservatoire de Genève
Place de Neuve 5
1204 Genève