Events | Concours de Genève

Semi-Final 1 - Opera Recital

Wednesday 16 October 2024

20:00, Salle Franz Liszt, Conservatoire

Programme

VOICE COMPETITION 2024
SEMI-FINAL PART 1 - OPERA RECITAL

 

Junho Hwang

  • G. Puccini: Che gelida manina (La Bohème)
  • I. Stravinsky: Love too frequently betrayed (The Rake's Progress)
  • J. Haydn: Mit Würd und Hoheit (Die Schöpfung)
  • G. Donizetti: Ed ancor la tremenda porta... Bagnato il sen di lagrime (Roberto Devereux)

 

Stefanie Bruggeling

  • W. A. Mozart: Che scompiglio, che flagello (La Finta Semplice)
  • W. Kienzl: O schöne Jugendtage (Der Evangelimann)
  • G. C. Menotti: Oh those faces! (The Consul)
  • G. F. Handel: Priva son d’ogni conforto (Giulio Cesare in Egitto)
  • G. Rossini: O patria! ... Di tanti palpiti (Tancredi)

 

Shelen Hughes

  • M. F. Caballero: Esta es su carta! (Gigantes y Cabezudos)
  • V. Bellini: Qui la voce..vien diletto (I Puritani)
  • F. M. Torroba: La Petenera (La Marchenera)
  • G. F. Handel: Lassa! (Atalanta)
  • W. A. Mozart: Deh vieni non tardar (Le Nozze di Figaro)

 

Jungrae Noah Kim

  • P. I. Tchaikovsky: Ya vas lyublyu (The Queen of Spades)
  • W. A. Mozart: Rivolgete a lui lo sguardo (Così Fan Tutte)
  • E. W. Korngold: Mein Sehnen mein Wähnen (Die tote Stadt)
  • P. Mascagni: Quella e una strada (Le Maschere)
  • G. Verdi: Son io mio Carlo.. Per me giunto (Don Carlo)

 

After an initial online recital, the jury selected 8 young singers from 31 candidates to go on to the semi-final. The semi-finalists must present a three-part semi-final at the Conservatoire de Genève: an Opera Recital, a Lieder/Song Recital and the presentation of an Artistic Project.

For the semi-final Opera Recital, the eight semi-finalists have to perform 4 to 6 opera, operetta or zarzuela arias of their choice (from 3 different periods and in 3 different languages). The performance must be constructed as a concert. Candidates are highly encouraged to include a variety of genres in their recital, which should not exceed 30 minutes including stage entrances/exits and possible pauses. All pieces must be performed by heart. Exceptions may be granted upon request.